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"Well, just one moment," says Geoffrey, detaining her, "let us finish what we were saying. Would you rather go to the East or to Rome?" "Oh, yes, I do," says Dorothy, with a wise shake of her blonde head; "you mean that probably we shall not be able to order any furniture at all. Well, even if it comes to sitting on one horrid kitchen deal chair with you, Nicholas, I sha'n't mind it a scrap." She smiles divinely, and with the utmost cheerfulness, as she says this. But then she has never tried to sit on a deal chair, and it is a simple matter to conjure up a smile when woes are imaginary. A strange scene presents itself to their expectant gaze. Before them is a large room (if so it can be called), possessed of no flooring but the bare brown earth that Mother Nature has supplied. To their right is a huge fireplace, where, upon the hearthstone, turf lies burning dimly, emitting the strong aromatic perfume that belongs to it. Near it crouches an old woman with her blue-checked apron thrown above her head, who rocks herself to and fro in silent grief, and with every long-drawn breath—that seems to break from her breast like a stormy wave upon a desert shore—brings her old withered palms together with a gesture indicative of despair..
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But I blame the people you have fallen among,—not you." For the first time she stoops forward and presses her lips to Mona's warmly, graciously. Then she leaves her, and, having told her maid to take the rose-water to Mrs. Rodney, goes downstairs again to the drawing-room. The reproachful ring in his voice does its intended work. The soft heart throws out resentment, and once more gives shelter to gentle thoughts alone. She even consents to Rodney's laying his cheek against hers, and faintly returns the pressure of his hand. "I don't suppose any one will take the slightest notice of him," says Violet: "that is one comfort.".
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